Showing posts with label NY Times. Show all posts
Showing posts with label NY Times. Show all posts

Tuesday, February 15, 2011

Christians adopting Jewish culture and traditions - but what about our rabbis?

Astounding article in the NY Times.

While locally we are getting reports that some of Melbourne's orthodox rabbis are permitting deviations from traditional Chuppah ceremonies, it seems that non-Jews, davka, are adopting some of our minhagim!

A little bird told us that at the recent meeting of the RCV the majority of attendees, despite agreeing that it is unacceptable, couldn't bring themselves to officially condemn one of their members who has incorporated a 'double-ring' ceremony under the Chuppah.

 
While our rabbis these days have wider, blacker hats and longer beards than those of the post-war years, they seem far less ‘allergic’ to reforms than their predecessors. Whilst our research revealed that the 'double-ring' thing was invented by the American jewellery industry in the late 19th century it has been adopted by many churches as well as Reform clergy.

Hopefully the rabbi/s permitting this type of deviation will not go all the way and use the procedure and ritual for such ceremonies composed by L. Ron Hubbard the founder of the "Church" of Scientology.

But seriously, seeing that most of the rabbis are deeply orthodox and Chabad they should seriously consider the words of one of their colleagues, Rabbi Yosf Resnick on Chabad.org, who states that such a ceremony 'cancel's out' the Halachicly required ring-giving by the groom to the bride.

To quote: "...When a woman gives a man a ring in return, they are simply exchanging articles of value. They could exchange blenders, too. Now they have just made a trade, and not effected a change of her status, to a married woman. The legal transaction implied by the groom giving the bride a ring has now been matched one for one, and thereby cancelled. Her status remains unchanged. It is as if the bride has not received anything at all, or as if she has given back the gift..."

It would be wise of our rabbis to take urgent action and heed the words of Chazal: יפה שעה אחת קודם

 
The Austins’ was not an interfaith marriage. Nor was their ceremony some sort of multicultural mashup. Both Sally and Mark are evangelical Christians, members of Oak Hills Church, a nationally known megachurch. They were using the ketubah as a way of affirming the Jewish roots of their faith.

In so doing, the Austins are part of a growing phenomenon of non-Jews incorporating the ketubah, a document with millennia-old origins and a rich artistic history, into their weddings. Mrs. Austin, in fact, first learned about the ketubah from her older sister, also an evangelical Christian, who had been married five years earlier with not only a ketubah but the Judaic wedding canopy, the huppah.

 “Embracing this Jewish tradition just brings a richness that we miss out on sometimes as Christians when we don’t know the history,” said Mrs. Austin, 28, a business manager for AT&T. “Jesus was Jewish, and we appreciate his culture, where he came from.”

Beyond its specific basis in Judaism, the ketubah represented to the Austins a broader concept of holiness, of consecration. “We wanted a permanent reminder of the covenant we made with God,” Mrs. Austin said. “We see this document superseding the marriage license of a state or a court.”

Such sentiments have been reshaping the market for ketubot (the plural in Hebrew) in the past decade. Michael Shapiro, an observant Jew from Toronto who sells artistic ketubot through the Web site ketubah.com, said he had seen the non-Jewish share of his customers rise from zero to about 10 percent. He is forming a spinoff site, artvows.com, that concentrates on non-Jewish consumers.

While evangelical Christians like the Austins make up part of that niche, Mr. Shapiro said, the concept of marital sanctity they expressed is one he hears from many gentile buyers. “There’s an idea of this being significant and lasting, a nod to something greater at work in a couple having come together,” he said in a telephone interview. “For some, it’s about God and faith. For others, it’s almost a sense of a miracle. In Jewish terms, we have the Yiddish word bashert, for ‘meant to be, intended for each other.’ ”

The decade of non-Jews discovering the ketubah coincides with three relevant social trends: the rise of Christian Zionism, the growth of interfaith marriage, and the mainstreaming of the New Age movement with its search for spirituality in multiple faith traditions. As a result, an increasing number of gentiles have taken up Judaic practices: holding a Passover Seder, eating kosher food and studying kabbalah, the Jewish mystical movement.

“A lot of these things are grass-rootsy,” said Prof. Jenna Weissman Joselit, a historian at George Washington University, who has written extensively on Jewish popular culture. “They have to do with the growing popularity of intermarriage — openness, pluralism, cultural improvisation. And for those who are more religiously literate, they add another level of authenticity or legitimacy.”

What makes the ketubah boom among non-Jews more striking is that even for Jews the present concept of a ketubah — simultaneously a work of fine art and a religious document — took centuries to develop and spread.

The earliest known version of a Jewish marriage contract dates to the fifth century B.C. in Egypt. Roughly 1,000 years later, during the Talmudic period in Palestine and Babylon, a formally codified version of the ketubah emerged.

Ketubah from 1942 in the Sydney Jewish Museum

And in its original form, far from declaring marriage as an everlasting bond, the ketubah largely served to protect a wife’s right to financial support in the event of a divorce, which under traditional Jewish law is entirely a husband’s decision. To this day, the standard Orthodox ketubah still contains language requiring a divorced man to pay his ex-wife “200 silver zuz.”

 
Sephardic Jews, though, wrote ketubot with specific provisions for each marriage. And, of more enduring aesthetic importance, they began to illustrate the documents elaborately with images and calligraphy. With the expulsion of Jews from Spain in 1492, refugees carried that artistic tradition to Italy, Germany and Holland, where the decorative ketubah began to seep into Ashkenazi culture.

 
But the style never reached into the Eastern European heartland of Jewry — which itself was the source of most of America’s Jewish immigrants — and by the mid-20th century the ketubah was back to where it had started as a document of religious law to be signed and stowed away.

All that suddenly changed with the “Jewish counterculture” of the 1960s, a movement by young Jews to participate in worship actively rather than just follow a rabbi, and to create their own prayers, liturgies, ceremonies and ritual objects, very much including ketubot.
By now, the ketubah is such a standard part of American Jewish life that even the new National Museum of American Jewish History in Philadelphia exhibits and sells them. Next month the Jewish Museum in New York will mount a major show of ketubot.

 
“You have an interest in a beautifying ritual and you have disposable income,” said Sharon Liberman Mintz of the Jewish Theological Seminary in New York, who is curating the Jewish Museum exhibit. “There’s both the wherewithal and the interest. Now you’d hang your ketubah on the wall. In the past, you’d just keep it in a safe or something like that.”

As for Sally and Mark Austin, they Googled their way to ketubah.com, selected a version with the image of a flowing river, and chose one of several texts from the Reform Jewish movement. After their wedding day, they hung it over their bed.

 
“One of the characteristics of a covenant,” as Mrs. Austin put it, “is a tangible sign. And this piece of paper, this beautiful piece of art, is the sign of our covenant.”

Monday, February 22, 2010

NY Times: "A thumb in the eye of the Nazis" - The passing of a matriarch of one of Klal Yisrael's largest families

A nice story forwarded by a reader in NY,


                          Click to enlarge photo
WHEN Yitta Schwartz died last month at 93, she left behind 15 children, more than 200 grandchildren and so many great- and great-great-grandchildren that, by her family’s count, she could claim perhaps 2,000 living descendants.

Mrs. Schwartz was a member of the Satmar Hasidic sect, whose couples have nine children on average and whose ranks of descendants can multiply exponentially. But even among Satmars, the size of Mrs. Schwartz’s family is astonishing. A round-faced woman with a high-voltage smile, she may have generated one of the largest clans of any survivor of the Holocaust — a thumb in the eye of the Nazis.

Her descendants range in age from a 75-year-old daughter named Shaindel to a great-great-granddaughter born Feb. 10 named Yitta in honor of Mrs. Schwartz and a great-great-grandson born Feb. 15 who will be named at a bris on Monday. Their numbers include rabbis, teachers, merchants, plumbers and truck drivers. But these many apples have not fallen far from the tree: With a few exceptions, like one grandson who lives in England, they mostly live in local Satmar communities, like Williamsburg in Brooklyn and Kiryas Joel, near Monroe, N.Y., where Mrs. Schwartz lived for the last 30 years of her life.

Mrs. Schwartz had a zest for life and a devotion to Hasidic rituals, faithfully attending the circumcisions, first haircuts, bar mitzvahs, engagements and weddings of her descendants. With 2,000 people in the family, such events occupied much of the year.

Whatever the occasion, she would pack a small suitcase and thumb a ride from her apartment in Kiryas Joel to Williamsburg or elsewhere. “She would appear like the Prophet Elijah,” said one of her daughters, Nechuma Mayer, who at 64 is her sixth-oldest living child, and who has 16 children and more than 100 grandchildren and great-grandchildren. “Everybody was fighting over her!”

There were so many occasions that, to avoid scheduling conflicts, one of her sons was assigned to keep a family calendar. But her family insists that Mrs. Schwartz had no trouble remembering everyone’s name and face.

Like many Hasidim, Mrs. Schwartz considered bearing children as her tribute to God. A son-in-law, Rabbi Menashe Mayer, a lushly bearded scholar, said she took literally the scriptural command that “You should not forget what you saw and heard at Mount Sinai and tell it to your grandchildren.”

“And she wanted to do that,” he said, without needing to add her belief that the more grandchildren, the more the commandment is fulfilled. Mrs. Schwartz gave birth 18 times, but lost two children in the Holocaust and one in a summer camp accident here.

She was born in 1916 into a family of seven children in the Hungarian village of Kalev, revered as the hometown of a founder of Hungarian Hasidism. During World War II, the Nazis sent Mrs. Schwartz, her husband, Joseph, and the six children they had at the time to the Bergen-Belsen concentration camp. At the shiva last month, another Bergen-Belsen survivor recalled her own mother dying at the camp; Mrs. Schwartz took it upon herself to prepare the body according to Jewish ritual, dig a grave and bury the woman.

“For her it was a matter of necessity,” Nechuma Mayer said of her mother’s actions.

When the war ended, the family made its way to Antwerp, Belgium. There, Mrs. Schwartz put up refugees in makeshift beds in her own bombed-out apartment.

In 1953, the Schwartzes migrated to the United States, settling into the Satmar community in Williamsburg. She arrived with 11 children — Shaindel, Chana, Dinah, Yitschok, Shamshon, Nechuma, Nachum, Nechemia, Hadassah, Mindel and Bella — and proceeded to have five more: Israel, Joel, Aron, Sarah and Chaim Shloime, who died in summer camp at age 8. Sarah came along after Mrs. Schwartz had already married off two other daughters.

While her husband sold furniture on Lee Avenue, Williamsburg’s commercial spine, Mrs. Schwartz, who never learned English well, tended the family. She sewed her daughters’ jumpers with mother-of-pearl buttons and splurged for pink-and-white blouses — 20 for 99 cents each — at that late lamented discount emporium on Union Square, S. Klein.

With so many children, Mrs. Schwartz had to make six loaves of challah for every Sabbath, using 12 pounds of dough — in later years, she was aided by Kitchenaid or Hobart appliances. (Mrs. Mayer said her mother had weaknesses for modern conveniences, and for elegant head scarves.) For her children’s weddings, Mrs. Schwartz starched the tablecloths and baked the chocolate babkas and napoleons.

After her husband died 34 years ago, relatives said, Mrs. Schwartz never burdened others with her new solitude.

“We didn’t feel even one minute that she was a widow,” Mrs. Mayer said. “She used to say, ‘When there are so many problems in life, I should put myself on the scale?’ ”

Mrs. Schwartz did not want her children to collect photographs of her and, given that modesty, her family was reluctant to provide more than one to accompany this article. “Just keep me in your heart,” she used to say. “If you leave a child or grandchild, you live forever.”